False advertising is a lot of fun
We open with Dr. Ichiro Serizawa (Ken Watanabe) flying to an island to investigate a finding at a dig site, it turns out to be the bones of a huge monster (or something). Pan to the Brody family where we see Joe and Sandra Brody (Bryan Cranston) off to work and there son Ford Brody (apparently they wanted the most American sounding name they could think of) off to school. Joe and Sandra work at a nuclear plant in Tokyo (Marge apparently wanted a job where she could be next to Homer), until the day that a series of earthquakes makes the plant go into meltdown killing Sandra (basically in the trailer not giving a spoiler warning to that). Fifteen years later we find Ford (Aaron Taylor-Johnson) working as an EOD unit's Lieutenant in the military. He is home on leave for all of a couple of hours when he hears his father is being held in a Japanese prison for trespassing on a quarantine zone so he could try to get back to his old home. Joe has been trying to confirm his suspicions about there being more to the accident that claimed his wife's life. It turns out he is right when they both go into the quarantine zone and the government is housing a monster.
I did, however; expect great acting. Instead I got good acting, mixed with bad acting, mixed with some great acting. Great acting from the little bit of time we got to spend with Bryan Cranston, and a tip-of-the-hat to Ken Watanabe as well. Good acting from the forgotten Olsen sister Elizabeth Olsen, she gave a very convincing performance as the worried military wife. Now, let's talk about Aaron Taylor Johnson. I know this kid can act, I've seen him do it. He does very well in movies like "Savages" and "Kick-Ass, " I guess he just isn't the correct fit for a military Lieutenant (also, I want to know why a guy in EOD automatically knows how to H.A.L.O. jump...problems with the story line, I'll continue). The kid definitely needed to take a few hours out of his days on set to ask Bryan Cranston what range actually was, because with a performance like this he will probably be typecast in future movies and that would be completely justified.
The monster scenes were the absolute golden moments of this movie. When I saw them I instantly went back to moments as a kid when I would watch cartoons and just feel in awe. These fight scenes were the adult me equivalent to when Goku and Majin Vegeta fought in my younger years (sorry anime reference... ummm.... think Megatron fighting Optimus Prime on the 1980's "Transformers" series). Seeing monsters crash into buildings and those buildings having an actual effect on their physical well being was awesome. The monsters always seemed like they were huge, they never lost scale, you always felt like if this thing was real you would be the size of it's eyeball. An impressive job on this part of the movie all around.
Okay, okay, I know what you are waiting for: was this movie a repeat of America's first time trying to bring "Godzilla" to the states and should we want sequels? The answer is no it wasn't that god awful Matthew Broderick heavy piece of garbage; and yes, you should definitely want sequels. This movie should serve as more of an "origin esque story" for the character, I expect the second film will be much better. The best part is this movie opened the doors for revamps of all our favorite monsters fighting Godzilla. I just only hope that they don't blow their load on the second one and make a Mecha Godzilla movie.
Final Verdict: Netflix It due to some major short comings I can't bring myself to tell you to waste money on this. The only reason you should see this is if you want a good five minutes of some amazing monster fighting, other than that chalk this up to another lazy day movie. If you have nothing better to do watch this.
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